As crucial as a detailed setting or the right mix of characters is to the success of a story, nothing quite packs a memorable gut punch like the perfect ending. Think about it: the way a story ends tends to shape our understanding of what we have just read. If it ended in love and marriage, then it must have been a love story. If it ended in death, then it was a tragedy.
So what do we make of the The Great Gatsby ending? Why is there so much death? Why doesn’t anyone get their just comeuppance? In this article, I’ll talk about the significance of endings in general, and explore the meaning behind The Great Gatsby’s last line, last paragraphs, and the conclusion of the plot.
Quick Note on Our Citations
Our citation format in this guide is (chapter.paragraph). We're using this system since there are many editions of Gatsby, so using page numbers would only work for students with our copy of the book. To find a quotation we cite via chapter and paragraph in your book, you can either eyeball it (Paragraph 1-50: beginning of chapter; 50-100: middle of chapter; 100-on: end of chapter), or use the search function if you're using an online or eReader version of the text.
Why Is the Ending of a Book Important?
An ending tends to reveal the meaning (or lack of meaning) in everything that came before it. It’s a chance for the author to wrap up the preceding events with either an explanation that puts them into a broader context - or a chance for the author to specifically not do that.
In general, endings come in many flavors.
- Straightforward Explanations. These endings tell us how to feel about the book. For example, think of Aesop’s fables, each of which ends in an explicit moral lesson, or think of Victorian novels (like those of Charles Dickens) that end with the narrator giving rewards to the good characters and punishments to the bad ones. These endings close up the world of the novel, wrapping it in a neat bow.
- Outward Connections. Endings can also be ways for the reader to open up the world of the novel into the real world. This type of ending can ask the reader a question as the final sentence (like Hemingway’s The Sun Also Rises). Even more dramatically, this can mean ending the novel mid-action, or even sometimes mid-sentence (like Kafka's The Castle).
- Philosophical Abstractions. Finally, endings can zoom out of the world of the novel altogether and become places for a deeper analysis of the nature of life or of being human. This type of ending is often reflective and could easily be divorced from everything that has come before to form its own pithy wisdom.
The ending of The Great Gatsby falls into this last category.
It’s like that extreme zoom out shot at the end of a movie, which eventually zooms out enough to show us a tiny Earth in outer space.
Understanding the Ending of The Great Gatsby
So why does the novel end the way it does? The novel’s abrupt and downbeat ending mostly poses more questions than it gives answers.
Why do Gatsby, Myrtle, and George Wilson die? Why does Daisy go back to Tom? Why does no one come to Gatsby’s funeral? It all feels kind of empty and pointless, especially after all the effort that Gatsby put into crafting his life, right?
Well, that empty feeling is basically the whole point. F. Scott Fitzgerald was not particularly optimistic about the capitalist boom of the 1920s. To him, America was just like Europe in its disdain for new money, and the elites were scornful of the self-made men who were supposed to be the people living the ideals of the country. He saw that instead of actually being committed to equality, the country was still split into classes – just less acknowledged ones.
So, in the world of the novel, Gatsby, for all his wealth and greatness, can buy himself a place in West Egg, but can never join the old money world of East Egg. His forward progress is for naught because he is in an environment that only pays lip service to the American Dream ideal of achieving success through hard work.
The novel is a harsh indictment of the idea of the American Dream. Think about it: the actually “successful” people – successful in that at least they survive – (the Buchanans, Nick, and Jordan) are all old money; while those who fail (Gatsby, Myrtle, and George) are the strivers.
All in all, the novel is a vision of a deeply unbalanced and unfair world.
Interpreting the Last Paragraphs of The Great Gatsby
The novel ends with a sad Nick contemplating the historic geography of Long Island:
Most of the big shore places were closed now and there were hardly any lights except the shadowy, moving glow of a ferryboat across the Sound. And as the moon rose higher the inessential houses began to melt away until gradually I became aware of the old island here that flowered once for Dutch sailors' eyes—a fresh, green breast of the new world. Its vanished trees, the trees that had made way for Gatsby's house, had once pandered in whispers to the last and greatest of all human dreams; for a transitory enchanted moment man must have held his breath in the presence of this continent, compelled into an aesthetic contemplation he neither understood nor desired, face to face for the last time in history with something commensurate to his capacity for wonder.
And as I sat there brooding on the old, unknown world, I thought of Gatsby's wonder when he first picked out the green light at the end of Daisy's dock. He had come a long way to this blue lawn and his dream must have seemed so close that he could hardly fail to grasp it. He did not know that it was already behind him, somewhere back in that vast obscurity beyond the city, where the dark fields of the republic rolled on under the night.
Gatsby believed in the green light, the orgastic future that year by year recedes before us. It eluded us then, but that's no matter—tomorrow we will run faster, stretch out our arms farther. . . . And one fine morning——
So we beat on, boats against the current, borne back ceaselessly into the past. (9.151-154)
It’s clear that the novel is trying to universalize Gatsby’s experience in some way. But there are multiple layers of meaning creating this broadening of perspective.
We Are All Jay Gatsby
By ending the way it does, the novel makes Gatsby explicitly represent all humans in the present and the past.
Compare this ending with the last paragraph of Chapter 1:
But I didn't call to him for he gave a sudden intimation that he was content to be alone—he stretched out his arms toward the dark water in a curious way, and far as I was from him I could have sworn he was trembling. Involuntarily I glanced seaward—and distinguished nothing except a single green light, minute and far away, that might have been the end of a dock. When I looked once more for Gatsby he had vanished, and I was alone again in the unquiet darkness. (1.152)
The language of the novel's ending paragraphs and the last paragraph of the first chapter links Gatsby's outstretched arms with the hopes of the Dutch sailors (the people of the past). Just as Gatsby is obsessed with the green light on Daisy’s dock, so the sailors coming to this continent for the first time longed for the “green breast of the new world.” For both, these green things are “the last and greatest of all human dreams”: for Gatsby, it’s his memory of perfect love, while for the sailors, it’s the siren song of conquest.
These two passages also connect Gatsby with the way we live today. Just as Gatsby “stretched out his arms toward the dark water in a curious way,” so we also promise ourselves “tomorrow we will run faster, stretch out our arms farther.” For all of us, life is all about constantly having to will ourselves into eternal optimism in the face of elusive dreams or challenging goals.
Jay Gatsby’s Life is All of America
The novel’s last paragraphs also touch on most of the novel’s overarching themes, symbols, and motifs:
New York City before the Europeans showed up to trash the place.
The Last Line of The Great Gatsby
The last sentence of this novel is consistently ranked in the lists of best last lines that magazines like to put together.
So we beat on, boats against the current, borne back ceaselessly into the past.
So what makes this sentence so great?
Close-Reading the Last Sentence of The Great Gatsby
On a formal level, the line is very close to poetry, using the same techniques that poems do to sound good:
It is written almost in iambics. (Iambic is a meter that alternates stressed and unstressed syllables to create a ta-DA-ta-DA-ta-DA-ta-DA pattern - it's most famous for being the meter Shakespeare used).
There’s a wave-like alliteration with the letter b, as we read the monosyllabic words “beat,” “boats,” “borne,” and “back.” (Alliteration is when words that start with the same sound are put next to each other.)
Then this repeated b resolves into the matching unvoiced p of the word “past.” (The sounds b and p are really the same sound, except when you say b you use your voice and when you say p you use the same mouth position but without using your vocal chords.)
Other literary devices are at play as well:
- There a double meaning in the word “borne” which can mean either “shouldered like a heavy burden” or “given birth to.”
- The sentence uses the metaphor of trying to row against the flow of current. We are like boats that propel themselves forward, while the current pushes us back toward our starting place. For boats, this happens in space, on a body of water, while for people, this happens in time, in the relationship between the past and the future.
Interpreting the Meaning of the Last Sentence of The Great Gatsby
There are three ways to interpret how Fitzgerald wants us to take this idea that we are constantly stuck in a loop of pushing forward toward our future and being pulled back by our anchoring past.
1. Depressing and Fatalistic
If we go with the “heavy burden” meaning of the word “borne,” then this last line means that our past is an anchor and a weight on us no matter how hard we try to go forward in life. In this case, life only an illusion of forward progress. This is because as we move into the future, everything we do instantly turns into our past, and this past cannot be undone or done over, as Gatsby attempted.
This version of the ending says that people want to recapture an idealized past, or a perfect moment or memory, but when this desire for the past turns into an obsession, it leads to ruin, just as it lead to Gatsby's. In other words, all of our dreams of the future are based on the fantasies of a past, and already outdated, self.
2. Uplifting and Hopeful
If, on the other hand, we stick with the “given birth to” aspect of “borne” and also on the active momentum of the phrase “so we beat on,” then the idea of beating on is an optimistic and unyielding response to a current that tries to force us backward. In this interpretation, we resiliently battle against fate with our will and our strength - and even though we are constantly pulled back into our past, we move forward as much as we can.
3. Objectively Describing the Human Condition
In the final version of the last line’s meaning, we take out the reader’s desire for a “moral” or some kind of explanatory takeaway (whether a happy or sad one). Without this qualitative judgment, this means that the metaphor of boats in the current is just a description of what life is like. In this way, the last line is simply saying that through our continuing efforts to move forward through new obstacles, we will be constantly reminded and confronted with our past because we can’t help but repeat our own history, both individually and collectively.
Which of these readings most appeals to you? Why?
So, wait, "boats giving birth" is what we’re going with here?
The Bottom Line
- An ending tends to reveal the meaning (or lack of meaning) in everything that came before it:
- an explanation on how to feel about what has just been read.
- a way to open up the world of the novel into the real world.
- philosophical analysis of the nature of life or of being human - this is The Great Gatsby ending.
- The Great Gatsby ends in a way that feels kind of empty and pointless, especially after all the effort that Gatsby put into trying to recreate his and Daisy’s love
- That empty feeling underscores Fitzgerald’s pessimism about America as a place that only pays lip service to the idea of the American Dream of working hard and achieving success
- The novel’s last paragraphs connect Gatsby to all of us now and for the humans of the past and touch on many of the novel’s themes
- we are like boats that propel themselves forward, while the current pushes back
- The last line of The Great Gatsby is a metaphor of trying to row against the flow of current. We can take this metaphor to be:
- depressing and fatalistic, that the past is an anchor and that life only an illusion of forward progress
- uplifting, that we battle against fate with our will and our strength
- objectively describing the human condition, that we can’t help but repeat our own history
Consider the significance of the green light at the end of Daisy’s dock.
Compare the meaning of the ending to our analysis of the beginning to see whether the novel’s payoff reflects its starting assumptions.
Analyze the character of Jay Gatsby to see how this flawed protagonist comes to represent humanity’s striving for the unreachable.
Investigate the themes of the American Dream and society and class to see how they are addressed in the rest of the novel.
Explore the rest of Chapter 9 to see how the novel leads up to its conclusion.
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Our narrator, Nick Carraway, begins the book by giving us some advice of his father's about not criticizing others. (But—but what if they're lying, possibly sociopathic murderers?) And now it's time to meet our cast of characters: Nick's second cousin once removed Daisy Buchanan; her large and aggressive husband, Tom Buchanan; and Jordan Baker. Jordan's a girl, and she quickly becomes a romantic interest for our narrator. Probably because she's the only girl around who isn't his cousin.
While the Buchanans live on the fashionable East Egg (we're talking Long Island, NY in the 1920's, by the way), Nick lives on the less-elite but not-too-shabby West Egg, which sits across the bay from its twin town. We (and Nick) are soon fascinated by a certain Mr. Jay Gatsby, a wealthy and mysterious man who owns a huge mansion next door to Nick and spends a good chunk of his evenings standing on his lawn and looking at an equally mysterious green light across the bay. Ookay.
Tom takes Nick to the city to show off his mistress, a woman named Myrtle Wilson who is, of course, married. Myrtle's husband, George, is a passive, working class man who owns an auto garage and is oblivious to his wife's extramarital activities. Nick, who has some good old-fashioned values from his childhood growing up in the "Middle West," is none too impressed by Tom.
Back on West Egg, this Gatsby fellow has been throwing absolutely killer parties, where everyone and his mother can come and get wasted and try to figure out how Gatsby got so rich. Nick meets and warily befriends the mystery man at one of his huge Saturday night affairs. He also begins spending time with Jordan, who turns out to be loveable in all her cynical practicality.
Moving along, Gatsby introduces Nick to his "business partner," Meyer Wolfsheim. Hm. This is starting to sound fishy. Next, Gatsby reveals to Nick (via Jordan, in the middle school phone-tag kind of way) that he and Daisy had a love thing before he went away to the war and she married Tom, after a serious episode of cold feet that involved whisky and a bath tub. Gatsby wants Daisy back, and he enlists Nick to help him stage an "accidental" reuniting.
Nick executes the plan; Gatsby and Daisy are reunited and start an affair. Everything continues swimmingly until Tom meets Gatsby, doesn't like him, and begins investigating his affairs. Nick, meanwhile, knows all about it: Gatsby grew up in a poor, uneducated family until he met the wealthy and elderly Dan Cody, who took him in as a companion and taught him how to act rich. But Dan isn't the one who left him the money.
The big scene goes down in the city, when Tom has it out with Gatsby over who gets to be with Daisy; in short, Gatsby is outed as a bootlegger and Daisy is unable to leave her husband. Everyone drives home, probably in a really bad mood, and Tom's mistress, Myrtle, is struck and killed by Gatsby's car (in which Gatsby and Daisy are riding). Gatsby tells Nick that Daisy was driving, but that he's going to take the blame for it. Tom, meanwhile, feeds Gatsby to the wolves—or at least the ticked-off husband—by telling Myrtle's husband George where to find him. Bang-bang, and George Wilson and Gatsby are both dead.
Daisy and Tom take off, leaving their mess behind. Nick, who by now has had just about enough of these people, ends things off with Jordan in a way that's about one step up from breaking up via text message. He arranges Gatsby's funeral, which is very sparsely attended—although Gatsby's dad does show up with some more info about his past. Standing on Gatsby's lawn and looking at the green light (which, BTW, turned out to be the light in front of Daisy's house across the bay), Nick concludes that nostalgia just ends up forcing us constantly back into the past.
(Click the plot infographic to download.)